Velocity Study XII closes The First Release of Velocity Studies — The Art of Speed.
A Porsche 911 (964) moves through the frame, viewed from behind as the surrounding landscape dissolves into layers of motion.
Presented in black and white, the photograph is stripped back to shape, light, contrast and movement. The familiar form of the 911 remains relatively defined, while the trees, foreground and road begin to lose their identity and become texture.
The rear three-quarter perspective gives the image a different sense of direction from the other works in the collection. Rather than approaching or passing through the frame, the car appears to be moving away — continuing beyond the photograph itself.
That makes Velocity Study XII a natural closing image for the First Release.
Not an ending, but a continuation of the idea behind Velocity Studies: trying to hold the sensation of speed still for just a fraction of a second.
Velocity Study XII is produced in a strictly limited edition of only 10 prints worldwide.
Image size: 90 × 50 cm
Paper size: 100 × 70 cm
Paper: Archival-quality 250 gsm fine art paper
Finish: Matte, uncoated, natural white
Edition: 10 worldwide
Artist signature: Printed in the lower right margin
Certificate of Authenticity: Numbered digital certificate sent by email
Framing: Not included
Printed on acid-free, age-resistant fine art paper with minimal or no optical brighteners, chosen for its natural surface and long-term colour stability.
The 100 × 70 cm sheet includes additional white space surrounding the 90 × 50 cm artwork. This gives your framer flexibility when presenting the print. The margin can be incorporated into a passepartout or professionally trimmed to approximately 100 × 60 cm, creating an even 5 cm white border around the artwork.
The print is supplied unframed and carefully rolled for shipping. Framing is intentionally left to the collector, allowing the artwork to be presented in a way that suits the space and personal style. For the best result, I recommend working with a local professional framer.
Each print is accompanied by a numbered digital Certificate of Authenticity, sent by email after purchase. The certificate confirms the artwork title, edition number and authenticity of the print.
Once all ten examples have been sold, this edition will be permanently closed.
Custom dimensions may be available on request. Any custom print remains part of the same edition of ten.
Thank you for supporting independent fine art photography. Every print helps me continue creating new work and developing projects such as Velocity Studies. — Roger
Velocity Study XII closes The First Release of Velocity Studies — The Art of Speed.
A Porsche 911 (964) moves through the frame, viewed from behind as the surrounding landscape dissolves into layers of motion.
Presented in black and white, the photograph is stripped back to shape, light, contrast and movement. The familiar form of the 911 remains relatively defined, while the trees, foreground and road begin to lose their identity and become texture.
The rear three-quarter perspective gives the image a different sense of direction from the other works in the collection. Rather than approaching or passing through the frame, the car appears to be moving away — continuing beyond the photograph itself.
That makes Velocity Study XII a natural closing image for the First Release.
Not an ending, but a continuation of the idea behind Velocity Studies: trying to hold the sensation of speed still for just a fraction of a second.
Velocity Study XII is produced in a strictly limited edition of only 10 prints worldwide.
Image size: 90 × 50 cm
Paper size: 100 × 70 cm
Paper: Archival-quality 250 gsm fine art paper
Finish: Matte, uncoated, natural white
Edition: 10 worldwide
Artist signature: Printed in the lower right margin
Certificate of Authenticity: Numbered digital certificate sent by email
Framing: Not included
Printed on acid-free, age-resistant fine art paper with minimal or no optical brighteners, chosen for its natural surface and long-term colour stability.
The 100 × 70 cm sheet includes additional white space surrounding the 90 × 50 cm artwork. This gives your framer flexibility when presenting the print. The margin can be incorporated into a passepartout or professionally trimmed to approximately 100 × 60 cm, creating an even 5 cm white border around the artwork.
The print is supplied unframed and carefully rolled for shipping. Framing is intentionally left to the collector, allowing the artwork to be presented in a way that suits the space and personal style. For the best result, I recommend working with a local professional framer.
Each print is accompanied by a numbered digital Certificate of Authenticity, sent by email after purchase. The certificate confirms the artwork title, edition number and authenticity of the print.
Once all ten examples have been sold, this edition will be permanently closed.
Custom dimensions may be available on request. Any custom print remains part of the same edition of ten.
Thank you for supporting independent fine art photography. Every print helps me continue creating new work and developing projects such as Velocity Studies. — Roger
